So let's see. I need to post a review about something I liked. *scans list of recent reads* Nope... nope... no, not that either... Ah.
There are some writers who feel they need to inject a little geekery into their books, trying to claim geek cred they haven’t really earned; I’ve seen more sadly misused references to LotR and Star Trek and so on than I care to think about, the sorts of things that would make someone as unfamiliar with the referent as the writer nod knowingly, but which make a geek like me long to send the writer brownies dusted with iocaine powder.
But Ben Aaronovitch is the legitimate and true owner of a TARDIS-load of honest-to-Eru geek cred, so when Peter Grant remarks to Toby the dog that “We’re living in Isengard”, or remarks on something’s similarity to modern Gallifreyan ("They looked disturbingly like the payload zones of a demon trap and even more disturbingly like modern Gallifreyan"), it’s just a happy happy thing of beauty.
Broken Homes is another excellent installment in an excellent series. The hunt continues for the so-wonderfully-named Little Alligators; another “Falcon-related” death comes the way of the little strange-crimes unit housed in The Folly; life goes on much as usual. Until Peter and Leslie are called upon to go undercover in an apartment complex called Skygarden, long known to be a locus of probable criminal activity, and now revealed as a possible locus of magical activity.
There is, perhaps, a bit more than is actually fun of Aaronovitch/Peter’s favorite hobby horse, architecture – but it is relevant. And it is acknowledged that other characters’ eyes pretty much glaze over when Peter rabbits on about it, so that’s okay then.
I confessed in a Goodreads update that Kobna Holdbrook-Smith’s voice reduces me to a state of squeeing fangirl; it’s an understatement, I admit.
Though what Peter/Aaronovitch has against Dire Straits – and Queen – I don’t know. I will overlook it because Peter is otherwise kind of awesome and he is very young. And a music snob. I blame his father.
As seems to be usual, the plotline is the weak area of the book. Characterization, setting, world-building, all of that stuff is terrific, but in Broken Homes the plot has the same flaw as one or two of the other books in the series: it meanders a little. It just feels like the plot could use a bit of tightening.
But, as usual, I had enough fun with the rest (especially KH-S, of course) that I don’t care.
What I do care about is the meaning of the title. I wondered about it now and then. I mean, “The Rivers of London” is pretty obvious, and the rest make good sense as well … so, I wondered briefly here and there, what homes are broken here? Well, I found out, I did. And it made me say “No, oh no no no…” out loud. It’s bad. Not to spoil anything, but it’s really bad.
This installment moves the story forward substantially – things are happening in the hunt for the Faceless Man and the Little Crocodiles, and I think Peter might say “shit’s getting serious”. (Sorry.) It’s going to be a long, long wait until the next book.